These are 64 different art forms that are listed which are taught to all as a part of learning. A person knowing all of these along with the 14 Vidyas was known to be near perfection.

64 Arts – Kala
Geet vidya—art of singing.
 Vadya vidya—art of playing on musical instruments.
 Nritya vidya—art of dancing.
 Natya vidya—art of theatricals.
 alekhya vidya—art of painting.
 viseshakacchedya vidya—art of painting the face and body with color
 tandula-kusuma-bali-vikara—art of preparing offerings from rice and flowers.
 pushpastarana—art of making a covering of flowers for a bed.
 dasana-vasananga-raga—art of applying preparations for cleansing the teeth, cloths and painting the body.
 mani-bhumika-karma—art of making the groundwork of jewels.
 sayya-racana—art of covering the bed.
 udaka-vadya—art of playing on music in water.
 udaka-ghata—art of splashing with water.
 citra-yoga—art of practically applying an admixture of colors.
 malya-grathana-vikalpa—art of designing a preparation of wreaths.
 sekharapida-yojana—art of practically setting the coronet on the head.
 nepathya-yoga—art of practically dressing in the tiring room.
 karnapatra-bhanga—art of decorating the tragus of the ear.
 sugandha-yukti—art of practical application of aromatics.
 bhushana-yojana—art of applying or setting ornaments.
 aindra-jala—art of juggling.
 kaucumara—a kind of art.
 hasta-laghava—art of sleight of hand.
 citra-sakapupa-bhakshya-vikara-kriya—art of preparing varieties of delicious food.
 panaka-rasa-ragasava-yojana—art of practically preparing palatable drinks and tinging draughts with red color.
 suci-vaya-karma—art of needleworks and weaving.
 sutra-krida—art of playing with thread.
 vina-damuraka-vadya—art of playing on lute and small drum.
 prahelika—art of making and solving riddles.
 durvacaka-yoga—art of practicing language difficult to be answered by others.
 pustaka-vacana—art of reciting books.
 natikakhyayika-darsana—art of enacting short plays and anecdotes.
 kavya-samasya-purana—art of solving enigmatic verses.
 pattika-vetra-bana-vikalpa—art of designing preparation of shield, cane and arrows.
 tarku-karma—art of spinning by spindle.
 takshana—art of carpentry.
 vastu-vidya—art of engineering.
 raupya-ratna-pariksha—art of testing silver and jewels.
 dhatu-vada—art of metallurgy.
 mani-raga jnana—art of tinging jewels.
 akara jnana—art of mineralogy.
 vrikshayur-veda-yoga—art of practicing medicine or medical treatment, by herbs.
 mesha-kukkuta-lavaka-yuddha-vidhi—art of knowing the mode of fighting of lambs, cocks and birds.
 suka-sarika-prapalana pralapana? — art of maintaining or knowing conversation between male and female cockatoos.
 utsadana—art of healing or cleaning a person with perfumes.
 kesa-marjana-kausala—art of combing hair.
 akshara-mushtika-kathana—art of talking with letters and fingers.
 mlecchita-kutarka-vikalpa—art of fabricating barbarous or foreign sophistry.
 desa-bhasha-jnana—art of knowing provincial dialects.
nirmiti-jnana—art of knowing prediction by heavenly voice
 yantra-matrika—art of mechanics.
 dharana-matrika—art of the use of amulets.
 samvacya—art of conversation.
 manasi kavya-kriya—art of composing verse mentally.
 kriya-vikalpa—art of designing a literary work or a medical remedy.
 chalitaka-yoga—art of practicing as a builder of shrines called after him.
 abhidhana-kosha-cchando-jnana—art of the use of lexicography and meters.
 vastra-gopana—art of concealment of cloths.
 dyuta-visesha—art of knowing specific gambling.
 akarsha-krida—art of playing with dice or magnet.
 balaka-kridanaka—art of using children’s toys.
 vainayiki vidya—art of enforcing discipline.
 vaijayiki vidya—art of gaining victory.
 vaitaliki vidya—art of awakening master with music at dawn.

A public woman, endowed with a good disposition, beauty and other winning qualities, and also versed in the above arts, obtains the name of a Ganika, or public woman of high quality, and receives a seat of honour in an assemblage of men.She is, moreover, always respected by the king, and praised by learned men, and her favour being sought for by all, she becomes an object of universal regard. The daughter of a king too as well as the daughter of a minister, being learned in the above arts, can make their husbands favorable to them, even though these may have thousands of other wives besides themselves. If a wife becomes separated from her husband, and falls into distress, she can support herself easily, even in a foreign country, by means of her knowledge of these arts. Even the bare knowledge of them gives attractiveness to a woman, though the practice of them may be only possible or otherwise according to the circumstances of each case. A man who is versed in these arts, who is loquacious and acquainted with the arts of gallantry, gains very soon the hearts of women, even though he is only acquainted with them for a short time

Each of the four Vedas consists of a Samhita, a Brahmana; an Aranyaka  and an Upanishad. Because the Upanishads constitute the concluding portions of the Vedas, they are called vedanta (“the conclusion of the Vedas”), and they serve as the foundational texts in the theological discourses of many Hindu traditions that are also known as Vedanta. The Sanskrit term Upaniṣad translates to “sitting down near”, referring to the student sitting down near the teacher while receiving esoteric knowledge. Although there are more than 200 Upanishads, only thirteen have been identified out as presenting the core teachings. They are the Chandogya, Kena, Aitareya, Kaushitaki, Katha, Mundaka, Taittriyaka, Brihadaranyaka, Svetasvatara, Isa, Prasna, Mandukya and the Maitri Upanishads.

The Upanishads were collectively considered amongst the 100 Most Influential Books ever written by the British poet Martin Seymour-Smith. Their significance has been recognized by writers and scholars and they also noted similarity between the doctrine of Upanishads and those of Plato and Kant.

From Rig Veda (10) From Sama Veda (16) From Yajur Veda (50) From Adharva Veda (32)
Aitareya  Kena  Katha  Prasna 
Atmabodha  Chandogya  Taittiriya  Mandukya 
Kaushitaki  Maha  Ishavasya  Mundaka 
Mudgala  Maithrayani  Brihadaranyaka  Athma 
Nirvana  Vajrasuci  Akshi  Surya 
Nadabindu  Savithri  Ekakshara  Narada-Parivrajakas 
Akshamalika  Aruneya  Garbha  Parabrahma 
Thripura  Kundika  Pranagnihothra  Paramahamsa-Parivrajakas 
Bahvricha  Maithreyi  Shvethashwathrara  Pasupatha-Brahma 
Saubhagya-Lakshmi  Sanyasa  Shariraka  Mahavakya 
  Jabaladarshana  Shukarahasya  Sandilya 
  Yogachudamani  Skanda  Krishna 
  Avyaktha  Sarvasara  Garuda 
  Vasudeva  Adhyatma  Gopalatapani 
  Jabali  Niralamba  Tripadavibhuti-mahnarayana 
  Rudrakshajabala  Paingala  Dattatreya 
    Manthrika  Kaivalya 
    Mukthika  Narsinhatapini 
    Subala  Ramatapani 
    Avadhutha  Ramarahasya 
    Kadharudra  Hayagriva 
    Brahma  Atharvasikha 
    Jabala  Atharvasira 
    Turiyatita  Ganapati
    Paramahamsa  Brihajjabala 
    Bhikshuka  Sarabha 
    Yajnavalkya  Annapurna 
    Satyayani  Tripuratapani 
    Amritanada  Devi 
    Amrithabindu  Bhava 
    Kshurika  BhasmaJabala 
    Thejobindu  Sita
    Dhyanabindu   
    Brahmavidya   
    Yogakundali   
    Yogatattva   
    Yogasikha   
    Varaha   
    Advayataraka   
    Trisikhibrahmana   
    Mandalabrahmana   
    Hansa   
    Kalisantaraa   
    Dakshinamurti   
    Panchabrahma   
    Rudrahrdaya   
    KalagniRudra   
    Yajniki (Narayana)   
    Tharasara   
    Sarasvatirahasya   

Puranas

The Puranas were written to popularise the religion of the Vedas. They contain the essence of the Vedas. The aim of the Puranas is to impress on the minds of the masses the teachings of the Vedas and to generate in them devotion to God, through concrete examples, myths, stories, legends, lives of saints, kings and great men, allegories and chronicles of great historical events. The sages made use of these things to illustrate the eternal principles of religion. The Puranas were meant, not for the scholars, but for the ordinary people who could not understand high philosophy and who could not study the Vedas.

Maha-Puranas (18)    
Brahma Puranas: Vaishnava Puranas: Shaiva Puranas:
1. Brahma Purana 1. Vishnu Purana 1. Shiva
2. Bhavishya 2. Narada (Naradiya) 2. Linga
3. Agni Purana 3. Vamana 3. Kurma Purana
4. Brahma Vaivarta 4. Matsya 4. Markandeya Purana
5. Brahmanda 5. Garuda (Suparna) 5. Skanda Purana
6. Padma Purana 6. Srimad Bhagavata 6. Varaha
     
     
18 Main Upa-Puranas:    
1. Adi (Aditya) Purana 7. Kapila Purana 13. Shvamba Purana
2. Bhargava Purana 8. Maheshvara Purana 14. Surya Purana
3. Brihannaradiya  Purana 9. Nandikeshvara Purana 15. Usanas Purana
4. Devi (Devi Bhagavata) Purana 10. Narasimha Purana 16. Varuna Purana
5. Durvasa  Purana 11. Parashara Purana 17. Vashishta Purana
6. Kalika Purana 12. Siva-Dharma Purana 18. Vayu Purana
     
     
Additional Upa-Puranas:    
1. Asamavya Purana 11. Mahabhagavata Purana 21. Saura Purana
2. Aunasa  Purana 12. Manava (Manu) Purana 22. Siva Purana
3. Basava Purana 13. Marica Purana 23. Siva Rahasya Purana
4. Bhanda Purana 14. Medasani-vari Purana  24. Sthala Puranas
5. Brihaddharma Purana 15. Mudgala Purana 25. Swayambhuv Purana
6. Ganesh Purana 16. Nandi Purana 26. Tula Purana
7. Hamsa Purana 17. Nilamata Purana 27. Vaisakha Purana
8. Harivamsha Purana 18. Periya Purana 28. Vashishtha 
9. Kalki Purana 19. Samba Purana 29. Vinayaka Purana
10. Magha Purana 20. Sanatkumara Purana 30. Vishnu-Dharma Purana

 

Vedas